September 2010
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Bart Davenport at the Sled Island Festival

It’s always a pleasure to get to play with Bart Davenport.  However, last weekend was particularly great, because we got to play in Calgary at a killer festival called the Sled Island Festival.  The other extra bonus was that Sugar and Gold was also playing.  This festival had a pretty amazing bill.  Some of the bands playing were Dinosaur Jr., Deerhoof, !!!, The Posies, and The Melvins.  For me it was a real treat to play at a festival like this, because (not that I’m complaining), I normally play at folk festivals.  This was one of the only real “rock” festivals I’ve ever really played.  I actually felt a little out of place some of the time!  I sorta felt like the new kid at school…Needless to say, it was a wonderful time, and all of the new friends we made in Calgary made this festival truly special.

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BD!!!!

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…and band.

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Nick Dobbratz from Sugar and Gold.

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Pam, Jerome, and Robo.

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Robo, Nick, and He-Man 

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The Posies

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Deerhoof from what seems like 10 miles away.  One of the best bands I’ve seen in a long time.

Media Blitz Record Co. ——- Aoife O’Donovan ——– Limited edition 7″ vinyl with handmade silkscreened sleeves ——— AWESOME!!!!

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I can’t even explain how excited I am to announce the very first release on Media Blitz Record Co.  It’s been a long time coming for Media Blitz to actually start releasing records, and shortly we’ll have the vinyl in our hands.  SO STOKED.

The first release is by our dear friend Aoife O’Donovan.  The two songs on the 7″ were recorded over here at the studios at Media Blitz East in 2006, and just sat around in the vaults for a few years waiting to be released.  An incredible cast of musicians and friends were involved with the making of this 7″, including such Media Blitz regulars as Nico Georis, Ryan Scott, Rushad Eggleston, Aoife (of course), and (obv) Robin MacMillan and me, Jacob Silver.  A few relatively new friends were also involved with this record: Brittany Haas, who played violin, Alejandro Venguer, who mixed the record, Brian Turner from Cricket Press, who did the artwork, and Aaron Schultz, who runs a great record label called Bastard Jazz.  Aaron helped facilitate the actual production of the vinyl itself.  Each step in this long process was as crucial as the next, and each person’s incredible contribution is what has made this project turn out so great.

We will be having a record release party at the Rockwood Music Hall in NYC on Tuesday, June 22 at 8pm.  Click here for more info.

As of right now, the only way to get the record is to buy one at one of Aoife’s shows (click here to see if she’ll be coming through your town anytime soon), but that will soon change.  In a few weeks we will have online ordering set up, so you’ll be able to purchase a record from anywhere in the world.  Each record purchase also includes a free download!  Even if you don’t have a record player, it’s totally worth it to buy one of these records.  The artwork is absolutely stunning.  Pretty enough to frame and put on your wall.  Please check back soon if you’d like to order a record, or email me and I’ll let you know as soon as it’s available.

The concept of Media Blitz Record Co. is simple.  To release high quality music that was recorded at Media Blitz, and at least co-produced by me or Robin MacMillan.  All of our releases will be on vinyl, and will all be recorded on analog tape.  Stay tuned for upcoming releases.  We’ve got some INCREDIBLE stuff on the way.

Jacob

Shalants May 2010 West Coast Tour: Taking Risks!

I’m currently in an airplane, flying home to NYC after another wonderful tour with the Shalants.  We went as far north as Portland, and as far south as Santa Cruz.  It was an epic adventure, filled with many exciting stories, tons of laughs, and some fine music.  As always when traveling with the Shalants, mexican food was abundant, as proven by this picture taken at Ocean Taqueria in San Francisco:

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As a matter of fact, a new thing I like to do at the end of each tour is to do a bit of a “food recap”: Aurally chronicalling all of the fine and not-so-fine cuisine that was eaten over the course of the tour.  While I won’t do a meal-by-meal rundown in this particular post, I will say we had some great In-N-Out, some decent Thai, INCREDIBLE blueberry muffins made by Mona, Miller’s stepmother, and Bret really seemed to like the tuna melt at the Apple Peddler, which can be found on HWY 101 just north of Eureka.

What I will do, however, is give a little rundown of each show, hopefully accompanied by a few pictures along the way.

May 15:
Although we didn’t actually play a show this day, we did drive up to Castella and stay with Miller’s father and step-mother.  We arrived after dinner unfortunately, but were greeted with beers and a campfire down by the river.  Beers were consumed, laughs were had, and times were generally awesome.  It was truly a great start to the tour.  The highlight of the night for me was when Robin was telling us a story about homeless guys talking about the rat pack, and he got so animated with the telling of the story, he fell back off his chair and into the river.  Nick and I laughed for about and hour and a half!

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May 16:
We arrived in Portland, Oregon at a cool little venue called Valentine’s.  It was essentially a bar with a PA and no stage, but we made the most of it.  Some great friends came out, including Gabi Espinosa, who engineered our latest record, which will be coming out on American Dust Records.  Gabi is a super sweet guy, a great engineer, and tried to buy a single donut with a credit card.  I can’t speak of a man any more highly than that.

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Gabi and Nick enjoying the opening band

The headlining band that night was called The Caps.  They were pretty cool.
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The Caps kicking some ass

May 17:
Robin found this really cool place to play in Eureka called The Lil’ Red Lion.  I remember a few months ago when Robin was trying to get ahold of the people at the bar to book the club.  The only way to get a gig there is by calling the club and talking to the owner.  Old school and awesome.  Anyhow, the venue was super cool, and the bill was even cooler.  It started out with this super trippy one-man-band called Mister Moonbeam.  This guy spent almost an hour setting up his little station on stage which consisted of hidden smoke machines, little twirly wheels, and a keyboard and a computer, well hidden of course.  He would basically make loops and then layer more loops on top until he had a killer groove, then he’d run up to the front of the stage and sing some trippy stuff.

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Mister Moonbeam

After that we played to a very enthusiastic crowd.  We even got Mister Moonbeam to come up and freestyle when we played Moonglow.

The third band of the night was called Straightjacket Striptease.  I believe this band was all students from Humbolt State.  The band was led by a female guitarist and singer, who really reminded me of someone I might have seen playing in a band in Monterey in 1994.  The drummer of this band was also particularly awesome to watch.

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Straightjacket Striptease

We finished the night staying at a friend of Miller’s in Eureka.  Nick snapped a winner worth sharing:

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May 18:
We had a pretty hefty drive back to SF, and we ended up going straight to our next show, which was at Simple Pleasures, a coffee shop on Balboa Street in the Richmond.  This was a super mellow gig, more of a rehearsal for our bigger SF show a few days later.  It was rad, the coffee was free, and Doug showed up.  Can’t beat it.

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Shalants at Simple Pleasures

May 19: The Crepe Place, Santa Cruz, CA
I really love this place.  The owner, Adam, is a super cool guy who really has some great music at his place.  This gig was actually put together by Britt Govea, who puts on shows all around California with his company (((folkYEAH!!!))).  The sound was great, people listened, and the band that played after us, Ramona Falls, was also great.  My good friend Ryan Genone also came to the show, and we kicked it after the show and caught up.  Not much more to say about this show, really.  It was just generally all around awesome.

May 20:  Sophia’s Thai Kitchen, Davis, CA
I know, I know.  A thai restaurant?  First a crepe restaurant and now this?  Well, it’s a good point, but the fact remains.  Both places have great music, and a good fan base to support it.  Our friend Garrett Pierce put this show together and played a duo set with Timothy James Wright.  Killer stuff.

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Timothy James Wright

 

My mother’s partner, Mary Anne O’Shea, made a surprise visit to the show and snapped some good ones of the Shalants. 
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Shalants do Thai.

May 21 – Chief Crazy Horse, Nevada City, CA
A killer show in a killer town in a killer venue.  Greg Ashley opened the show with a solo performance.  We played shortly after, and then The Moore Brothers closed the show, ending with an amazing rendition of Michael Jackson’s “Billy Jean”.

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The Moore Brothers

May 24 – The Knockout, San Francisco, CA
The last show of our tour turned out to be one of the best.  It was a huge bill, consisting of Dark Sun Sky Pilot, Harry Merry, The Bitter Honeys, and us.  We didn’t end up playing until around 1am!  Fortunately, our dedicated fans stayed until the bitter end.  Speaking of bitter, The Bitter Honeys totally ruled.  

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The Bitter Honeys

 

 

Colin Schiller…and The Reactions?

Colin Schiller is one of my first friends I made when I moved to NYC in 2003.  I went to the now defunct Stinger bar to sing some karaoke.  Colin was hosting the night, and we instantly hit it off and became good friends.  Colin is an exceptional drummer, and since 2003, we’ve played in a few bands together, and even did a tour together opening up for none other than David Lee Roth.

Recently Colin made the wise choice of going solo, and I’ve had the pleasure of co-producing his record.  We’re still a long way from a full-length album, but we’re almost finished with the first single, Dizzy, and early Monday morning we starting shooting the music video for the song.  The video features Kenley Collins, Project Runway alumni and karaoke host-extraordinaire.  Stay tuned for the song and video.  It’s going to be great!  The whole project has a very 80′s feel to it.  We’ve incorporated lots of DX7 synthesizers…

Here are a few shots I took from the video:

Pete Seeger and Preservation Hall

Last April I had the pleasure of playing with Pete Seeger at the New Orleans Jazz and Heritage Festival.  Needless to say, it is always an honor to play with Pete, and it was truly magical to get to play on the main stage at Jazzfest in front of thousands of fans.

But one unexpected treat of the trip was recording “Blue Skies” with Pete, Tao, and The Preservation Hall Jazz Band, at Preservation Hall.  The Preservation Hall Jazz Band had been working on a compilation featuring many incredible singers, such as Tom Waits, Andrew Bird, Yim Yames, Ani DiFranco, and many more.  Proceeds towards this album go towards the Preservation Hall Outreach Program, teaching jazz to kids in New Orleans.  Click here to purchase it.

I recommend getting it on vinyl.  It’s a beautiful double LP on 180 gram vinyl, and it even comes with a free digital download of the full album!  So even if you don’t have a record player, buy the vinyl, download the record for free, and put the sleeve in a frame and hang it on your wall.  It’s that good.

I played a lot of traditional jazz all throughout high school (Dixie-Core, anyone?), so getting to play bass with The Preservation Hall Jazz Band was an absolute dream come true.

Tons of new shows posted

I updated my shows page.  It’s going to be an excellent summer!  Loads of great shows with Tao have been posted, and there are many many more shows in the works that haven’t been posted yet.  Newport, Mountain Jam, Vancouver Folk Fest, Winnipeg Folk Fest…so stoked.  There’s also a handful of shows thrown in with Aoife O’Donovan and Christina Courtin.

Stay tuned for some Shalants shows as well.  We’ll be touring the west coast in May.  Hope to see you out there, friends!

Jefferson Hamer records at Media Blitz

Yesterday Jefferson Hamer came by to lay down basics for a new demo/EP he’s working on.  He did 6 songs, all sort of in that “Irish Ballad” sort of style, but what do I really know about that stuff?  Maybe it was Scottish?

There were a lot of takes that ended with me going, “Woah.  That was amazing!”, and Jefferson saying, “Yeah, I probably could have played it cleaner.”

Well, that’s how it goes.   We did this session on 1″ 16-track.  ALWAYS better than digital.  If I have my way, I’ll litter this demo with Townes Van-Zandt styled production and overdubs, and hopefully throw some elven flute and Wellingtonian snare drum in the mix.  Of course some upright bass (8 tracks of bowed bass?), picked harmony bass, and electric guitar.

We used two of Jefferson’s mics, and two of mine.  One of Jefferson’s was some Neumann that I’ve never heard of, and some other mic I’d never heard of.  Very informative, right?  Then we used a Blue Kiwi and a Peluso 2247 to create an AB stereo pair room sound.  It sounded great, but I soon heard the quote of the day from Jefferson regarding the room mics…”it sounds like what it sounds like when I record on my mac’s built-in microphone.”  I immediately turned down the faders on the room mics.

Bart Davenport at Pete's/Media Blitz

My good friend Bart Davenport played at “my” club, Pete’s Candy Store tonight.  It was the second time I’d seen Bart play solo.  The first time was also at Pete’s, and was also the first time I had ever met him.  I later on went to play in his band, and last year went on a three-week tour with him, The Botticellis, and Sugar and Gold, all acts on Antenna Farm Records.

I must admit, I love playing with Bart, but after seeing him solo, I wonder why he even needs a band.  He’s so good at guitar, he is the whole band.  It’s totally amazing.  He completely captivated the whole crowd, and left them wanting more.

Bart Davenport and band playing a wedding.

Bart’s been staying with us as well.  Turns out he just did some sort of stop-motion hip-hop music video about the old west, and Bart played none other than Black Bart, the infamous Wells Fargo bank robber from the 1870′s.  A little bit of internet investigation got me to blackbart.com, THE internet hub for all the latest information about Black Bart.  Black Bart would leave a little poem after every robbery.  Here’s one of my favorites that I read:

“I’ve labored long and hard for bread,
For honor and for riches
But on my corns too long you’ve tread,
You fine-haired sons-of-bitches.”

Go get em, Black Bart.  And you too, BD.

First iphone blog post

This is a test.

The 1st Annual Media Blitz Winter Potluck

Carl, Jake and Robin cordially invite you to their annual coldtime, potluck munchfest.
COME! CONTRIBUTE! PARTAKE!
what to bring? whatever you prefer to make or drink.
questions/rsvp? call robin at (347)228-1204.
SPLENDID.